APAS Tutorial 1
CapDV 1
Public Approved
Name | Value |
---|---|
Code | adi-vid-01167 |
Title | APAS Tutorial 1 |
Subtitle | CapDV 1 |
Subject (keywords) | APAS ; Favorite ; Help ; Performance Analysis ; Tutorials ; |
Duration | 00:09:01 |
Created on | 4/3/2009 12:00:00 AM |
Label | Approved |
Privacy | Public |
Synopsis |
SynopsisThe video discusses the process of capturing and analyzing video data using multiple cameras. The speaker explains that at least two markers by two cameras on each marker are needed for a 3D display. To avoid missing any points, they use five cameras. The video data is saved on a hard drive and can be trimmed down if necessary. The speaker also mentions the importance of capturing long enough to get the whole event, such as three cycles for a walking gait. The cameras are synchronized using a sound, such as a clap, to ensure accurate analysis. The speaker emphasizes the importance of not dropping any frames during the capture process. Model Id: gpt-4-0613 |
Audio Transcript
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Video Segments
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60 degrees apart. It cannot be a hundred meters anywhere else
So I see you know you need to overlap of I see what you're saying. Well, yeah, you have to have two perspectives
I'm going to read the
analysis
The problem is that when human but being move
Let's say we do a simple walking gate
There will be times when this foot would be in front of this foot and this
I wouldn't see the mark. Okay, so we need at least two markers by two cameras on each marker for a 3d
display, okay
What we do is we we spread these a little bit more and we'll add a third camera that way if this
Foot covers that point you'll still see it with these
Now that's a simple straight walking going in one direction. Well, that's not too much more remote
Okay, when we have a trubilary event
sent jazz golf
Where things are going all over the place there would even with three cameras there'd be points that would be this and that
So that's why we have five cameras
So that's that's not a basic format of what we do
So we grab the video and we're gonna describe it first and then we'll go through and we'll start doing some stuff
Okay, all right. This is a lot of hands-on stuff
So we grab the video in fact, I'll show you what I just did
In fact first thing I'll do is I'll show you the five cameras
We bring up cat TV and this little camera here
We can also do it a different way, but
This is a very simplistic you open it up. You set the file name
I'll call this bread one
It tells me that I'm putting a temporary path on the defile
But we can make that in here
So in this case I'm going to
Now this data path that's going to a separate memory card, or is that
This goes into the heart
That we think of C as hard drive we put the hard drive we split into a C in the D. Okay
Because we want you to store your stuff on D. You wouldn't want you
So
Well, we'll use a temper right now, but we'll create a new file later when we start doing our actual work
So temp is fine. I just say open this temp
It tells me that the data
The temp path is when you collect data it goes into a temporary file and then you have the opportunity to trim it down
You don't want to trim it then you want to save the whole thing you just say okay
Go and it puts it back in the temp in the temp file or whatever your name is
The way you're gonna actually do this okay, so in this case we have a file called bread one
Next thing is how long do we grab for where?
We're editing in the in the temp path or do we wait until it doesn't do that?
Grabs everything grabs everything and then it gives you an opportunity before you actually save it to the data
You can do that, but you probably want to do that
But what it does is gives you an opportunity to trim the file a little bit if you want
The way I'm going to teach you to do it probably
Let's say you're in the field you want to do a golfer out in the golf course
There's gonna be a lot of wasted films you want to do you want to go and trim it down to something magical
Okay, but for most of the stuff you do
Next thing is how long do you want to capture?
Well, you want to capture long enough so that you get the whole event
In the case of a walking gate you're going to do about three cycles
Three strides so probably five six minutes is adequate a
second
For many of the activities where we'll do TV analysis of the body part I do 30 seconds
I can be a really quick vision of variation
So this tells me that I have six cameras on
If I only wanted one camera and I know which camera it is I could eliminate them like that
In this case, I want to show you that the six are actually up and running and
You'll never have to change this
This is this is in case you want nine of yours and you have to have two computers say this one starts with number one
First in number six this computer goes seven and one away
So that's good we'll say okay
It's zoomed
So we have six cameras are live and everything is good
You can unzoom it anything
Yeah, no you didn't it was on a play mode and still on a play mode mode
But now it's okay to stay
Now I'm ready to go I have to do two things
I have to put a calibration cube in the field and save that then I have to do the actual bit the calibration
You really have to say for a half a second. I need one really good frame
So in this case, I'm saving five seconds and I say okay ready and go now. It's capturing
Do that so we know we have something and make a noise the noise is for synchronization
What's too late? I'm going to cancel this and we'll do it again
The sound is a synchronization. Okay
If you're hitting a golf ball, that would be the same point for gee what I do is I tell the person
I'm going to clap as soon as you start don't be startled
Yeah, they take a step out and start moving the second foot and I go like that right now. I do it like this
Because I'm standing over here now, but I can see my hands go together as well as here
Okay, so in case some reason the sound failed again. I would still have this to synchronize on
Okay, so you should be and I can easily see when the when the cameras are are the same position
In order to digitize more than one view would have to make sure that the camera views are synchronized, right?
So in this case I'll start
Those five seconds
And the really important thing is to make sure you don't drop anything for some reason a number of five drops
Because if you happen to have a cycle that drops and God knows what happens in Microsoft anywhere
Some of the things going on you want to make sure that these are all yours
So you have this triggered to a stick that no, I said I started the camera collecting with this right the clock was a synchronization
I'll show you in a second where that comes in
Now if I say manually sync
It doesn't do anything if I say auto sync and I say sync over here
Now listen
It searches each film it points to the class the loudest marks. Okay, I'll try to adjust
Okay, so we heard six noises we know that everything's good now. It's gonna give us the whole scale
Okay sync it shows me where it found the same point to the views and I said sync and now we have this little graph and
There's you can't see them but there's actually six waters on there. Okay, and by going from camera to camera
It shows me where the same point is
And what you've seen a little differences here are half bridge
Let me back on you statement him if we didn't have the same
You